Inglorious Artists: Art World Satire and the Emergence of a Capitalist Art Market in Paris, 1750-1850 traces the origins of the image of the starving artist to late eighteenth- and early nineteenth-century France, where practicing and aspiring visual artists mobilized the emerging genre of graphic satire to publish hundreds of satirical images that satirized the Paris art world. By examining many of these images, which have never before been studied or published, this book provides a new social history of the status of the artist, revealing the ways in which the starving artist trope was used to protest the emergence of an early capitalist art market and to distinguish artists and their work from an increasingly commercial world. During this period, a series of political revolutions brought the possibility of radical change in the French art world. Parisian artists struggled to keep pace with the emergence of modern financial speculative capitalism, transitioning away from an art system dominated by guild and corporate interest. We have neglected the complaints visual artists made about these changes, expressed in the medium most accessible to them: the graphic image. In examining this imagery for the first time, Inglorious Artists reveals that the emergence of our modern conception of the artist is far more conflicted than has been considered.

"Desplanque’s Inglorious Artists marks a new stage in our understanding not just of caricature, but also of art market studies and even of modern art."

— Patricia Mainardi, author of Another World: Nineteenth-Century Illustrated Print Culture

Inglorious Artists | Art-World Satire Corpus, Empire (1804–1815)

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