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Unsettling Sexuality: Acknowledgments

Unsettling Sexuality
Acknowledgments
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table of contents
  1. Title Page
  2. Copyright
  3. Contents
  4. Acknowledgments
  5. Introduction: Unsettling Sexuality
  6. Part I: Gender Nonconformity: Embodiment, Sociality, and Politics
    1. 1. Transgender Citizenship and Settler Colonialism in Aphra Behn’s The Widow Ranter
    2. 2. Samson Occom, the Public Universal Friend, and a Queer Archive of the Elsewhere
    3. 3. Refashioning Masculinity in Regency England: Female Fashions Inspired by the Persian Envoy Mirza Abul Hassan Khan and His Circassian Wife
  7. Part II: Novel Intimacies
    1. 4. “My sister, my friend, my ever beloved”: Queer Friendship and Asexuality in The Memoirs of Miss Sidney Bidulph
    2. 5. Redefining the Archive in Queer Historical Romance Novels
  8. Part III: Queer Ecologies and Cartographies
    1. 6. Matters of Intimacy: The Sugar-Cane’s Asexual Ecologies
    2. 7. Fantasy Maps and Projective Fictions
  9. Part IV: Racializing Affect, Queering Temporality
    1. 8. Dark and Delayed Labor: Sex Work and Racialized Time in Eighteenth-Century London
    2. 9. Unsettling Happiness: Blackness, Gender, and Affect in The Woman of Colour and Its Media Afterlives
  10. Coda: Eighteenth-Century Longing
  11. Notes on Contributors
  12. Index

Acknowledgments

This collection is indebted to the work that the Queer and Trans Caucus (formerly, the Gay and Lesbian Caucus) of the American Society for Eighteenth-Century Studies seeks to accomplish in shifting the conversations, methods, and modes of interpretation that find a home in eighteenth-century studies. Indeed, our collaboration as coeditors developed out of our work as cochairs for the caucus. We dedicate this collection to the newly minted caucus and its members, especially in their collective aspirations for social, cultural, and epistemological change.

We are grateful to our contributors and their support networks who have believed in this work and labored tirelessly to bring it to fruition. Julia Oestreich has continued to be an advocate for this work, and the University of Delaware Press, under her guidance, has generously provided a home for these collaborative conversations. The transfixing artistry of Kent Monkman and Norval Morrisseau has captivated us—compelling us to reflect and write on them. We are honored by Monkman and the Estate of Norval Morrisseau for granting image permissions.

We remain inspired by Sara Ahmed’s provocation, which we take up in the introduction, that “to be part of a collection can be to become a collective.” This collection models what collective coalitional camaraderie can accomplish, and we offer this work to further agitate toward such efforts in which we might, together, rail against neocolonial regimes embedded in supremacist values that get their kicks on marginalization and discrimination.

Together, we can unsettle.

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Unsettling Sexuality: Queer Horizons in the Long Eighteenth Century
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