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Inglorious Artists: Studies in Seventeenth- and Eighteenth-Century Art and Culture

Inglorious Artists
Studies in Seventeenth- and Eighteenth-Century Art and Culture
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Notes

table of contents
  1. Cover
  2. Half Title
  3. Studies in Seventeenth and Eighteenth-Century Art and Culture
  4. Title
  5. Copyright
  6. Dedication
  7. Table of Contents
  8. Acknowledgments
  9. List of Figures and Tables
  10. Introduction
  11. Chapter 1. The Artiste Libre in the Ancien Régime
  12. Chapter 2. Revolutionary Instabilities of Liberty and Autonomy
  13. Chapter 3. The Starving Artist in the Salon System
  14. Chapter 4. The Apotheosis of Bohemia
  15. Conclusion
  16. Endnotes
  17. Bibliography
  18. Index

Studies in Seventeenth- and Eighteenth-Century Art and Culture

Series Editor

Sarah R. Cohen, University at Albany, State University of New York

Series Advisory Board

Wendy Bellion, University of Delaware

Martha Hollander, Hofstra University

Christopher M.S. Johns, Vanderbilt University

William Pressly, University of Maryland

Amelia Rauser, Franklin and Marshall College

Michael Yonan, University of Missouri

Selected Titles

Amanda Lahikainen

Money and Materiality in the Golden Age of Graphic Satire

Jennifer Milam and Nicola Parsons, eds.

Making Ideas Visible in the Eighteenth Century

Jessica L. Fripp · Portraiture and Friendship in Enlightenment France

Marika Takanishi Knowles · Realism and Role-Play:

The Human Figure in French Art from Callot to the Brothers Le Nain

Julia A. Sienkewicz · Epic Landscapes:

Benjamin Henry Latrobe and the Art of Watercolor

Tilden Russell · Theory and Practice in Eighteenth-Century Dance:

The German-French Connection

Paula Radisich

Pastiche, Fashion, and Galanterie in Chardin’s Genre Subjects:

Looking Smart

Christine A. Jones · Shapely Bodies:

The Image of Porcelain in Eighteenth-Century France

Jean-François Bédard

Decorative Games: Ornament, Rhetoric, and Noble Culture in the Work of Gilles-Marie Oppenord (1672–1742)

Amelia Rauser · Caricature Unmasked:

Irony, Authenticity, and Individualism in Eighteenth-Century English Prints

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